Abstrakt: | The autobiographical works of Sławomir Mrożek, which include his extensive
diaries from the years 1962–1989 and large volumes of correspondence, continue
to be open to new readings. Since the key, and until now undescribed problem in the
meta-literary layer is the relation to Witold Gombrowicz as an artist and as a human
being, the paper analyses and interprets, from a historical literary and comparative
point of view, the multi-annual polemics with the aesthetic and philosophical views of
the author of Ferdydurke, which Mrożek conducted in his diaries from 1965 to 1987.
The process-based nature of the author’s references is emphasised: from respectful acceptance
to the decisive overcoming of Gombrowicz’s influence, ending in the opening
of Mrożek towards metaphysics, absent from his master’s worldview. The particular
role of Gombrowicz’s work is pointed out as a mirror for Mrożek, where Mrożek’s
reflection on himself as an artist and on his own art took shape and gained confidence. |