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http://hdl.handle.net/20.500.12128/21803
Tytuł: | "Zwięźle spleciony warkocz kontrapunktu" : poezja Stanisława Barańczaka a doświadczanie granicy |
Autor: | Piotrowska-Grot, Magdalena |
Słowa kluczowe: | border; eschatology; transition; poetry; Barańczak |
Data wydania: | 2019 |
Źródło: | "Poznańskie Studia Polonistyczne. Seria Literacka" (2019), nr 36, s. 149-166 |
Abstrakt: | The article attempts to familiarise the reader with Stanisław Barańczak’s
poetic presentations of experiencing border and limit. It synthesises the
set of various sorts of limits faced by the human from Barańczak’s poems.
Moreover, the analyses and interpretations in the article aim to make evident
the characteristic way in which the author of Surgical Precision (Chirurgiczna
precyzja) presents the border between existence and eschatology
and, more specifically, the way how Barańczak nullifies this border between
dimensions in his poetry. His poems are not devoid of metaphors inspired
by eschatological considerations and the functions these references serve
are worth a closer look. Firstly, there are the most obvious sociopolitical connotations also used by the language of communist propaganda. The
most important in the quoted poems, though, are the deliberate references
to eschatology that expose the association mechanism and deconstruct the
linguistic habits of a Christianity-based cultural circle. Using the ambiguity
of specific words and images and creating metaphors based on eschatology-
related phenomena, Barańczak familiarises the reader with death and
negates the artificial duality of worlds. This is not, however, metaphysical
poetry in a classic sense; it is poetry close to human existence and, above
all, to all of the numerous fears accompanying people. |
URI: | http://hdl.handle.net/20.500.12128/21803 |
DOI: | 10.14746/pspsl.2019.36.10 |
ISSN: | 2450-4947 |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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