DC pole | Wartość | Język |
dc.contributor.author | Gadomska, Katarzyna | - |
dc.date.accessioned | 2022-02-02T10:05:43Z | - |
dc.date.available | 2022-02-02T10:05:43Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | "Cahiers ERTA", Vol. 11, 2017, s. 403-420 | pl_PL |
dc.identifier.issn | 2300-4681 | - |
dc.identifier.issn | 2353-8953 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/22491 | - |
dc.description.abstract | According to common opinions, horror films are the art of monstration
par excellence, whereas horror fiction is based on ambiguity and the
unsaid. The purpose of this article is to show that this statement is false.
In order to evoke the feeling of fear in the reader/viewer, horror films
and fiction remain in a fruitful and permanent dialogue: this is reflected
in many exchanges used in anxiety‐provoking techniques that are
analysed in this article. The structure elements of scary texts and films
are recurrent. My study aims to demonstrate that, on the one hand, both
literary and cinematic gore are based on hyperrealism of massacre
scenes/descriptions/close‐ups, preferably exteriorized parts, figurative
narrative structures and visual hyperbolization. On the other hand,
however, both horror films and fiction play with ambiguity and off‐screen
scenes, building up the anxiety‐provoking structure. This ongoing
interdisciplinary dialogue enriches the literature and the cinema –
protean and ever‐changing. | pl_PL |
dc.language.iso | fr | pl_PL |
dc.rights | Uznanie autorstwa 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/pl/ | * |
dc.subject | horror films | pl_PL |
dc.subject | horror fiction | pl_PL |
dc.subject | gore | pl_PL |
dc.subject | fear | pl_PL |
dc.subject | anxiety | pl_PL |
dc.title | Les techniques anxiogènes dans le cinéma d’horreur et dans la littérature d’épouvante : échanges, parallélismes, passages : (sur l’exemple de la prose de Jean-Pierre Andrevon) | pl_PL |
dc.title.alternative | Anxietyprovoking techniques in horror films and fiction : exchanges, parallels, passages : (example of the prose of JeanPierre Andrevon) | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.4467/23538953CE.17.021.6915 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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