Abstrakt: | The author of the paper, following Frank Kujawiński and Tomasz Tabako, offers a reading of
Karpowicz’s texts, positing in this instance that the pivot of the creative imagination is the category
of space — especially germane to American culture. While space — centerless like a desert, in constant
movement, limitless, and above all prehuman — establishes the hermeneutic context for Karpowicz’s
project; the project itself involves a conceptual escape (conceived as inhuman in its essence) from a place
on earth, a “place in language”, and a place in existence. His conception appears to be directed against
the common-sense logic of localization and, as Karpowicz himself suggests, can be related to contemporary
topological theory. An individual poem (as well as a longer poetic work, based on symmetrical
or paralactic structures) manifests itself in this context as a holistically conceived verbal mass, out of
which by means of constant transformations the poet seeks to bring to “the surface” of the text ever
new forms, ever new narratives. Kokoszka points to the possibility of reading Karpowicz’s “topology
of the word” as an attempt to create a dynamic whole whose every element seems to have the potential
of entering the represented world. Hence, the individual words of the poems do not have their own stable
meaning, or “place”— just next to what has been expressed, there always appears what is optional. |