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http://hdl.handle.net/20.500.12128/2910
Tytuł: | „Interpretacja rozumiejąca” wedle propozycji semiotyków muzyki |
Autor: | Mika, Bogumiła |
Słowa kluczowe: | interpretacja; semiotyka; rozumienie muzyki; kompozycja narracyjna; Guerino Mazzola; Eero Tarasti |
Data wydania: | 2013 |
Wydawca: | Wydawnictwo Uniwersytetu Śląskiego |
Źródło: | J. Uchyła-Zroski (red.), “Wartości w muzyce : interpretacja w muzyce jako proces twórczy. T. 5.” (s. 24-33). Katowice : Wydawnictwo Uniwersytetu Śląskiego |
Nr Serii/Raportu: | Wartości w Muzyce;T. 5 |
Abstrakt: | Contemporary world is treated as communication world. Music is understood there as a kind
of “message” for which the four stages like conception, realization, perception and reception of
a work are extremely important. The very stages are tightly connected with social roles played by
the author, performer, listener and critic.
Such a traditional model of communication through music tends to undergo various specifications
and modifications, depending on preferences an interpreter, musicologist or culture theoretician
has. It also constitutes a specific area of interest in the case of music semioticians.
The very text concentrates on “an understanding interpretation” within the semiotics of music.
It begins from presenting a peculiar “topography of music” pictured by Guerino Mazzola, and
recalling the model of a narrative composition by Eero Tarasti to pay the biggest attention to his
theses of “music comprehension”. Fourteen theses were discussed in Trasti’s book Signs of Music
and the fact that they were taken into account constitutes a starting point for any truly valuable
music interpretation. |
URI: | http://hdl.handle.net/20.500.12128/2910 |
ISBN: | 9788322622254 |
Pojawia się w kolekcji: | Książki/rozdziały (WSiNoE)
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