DC pole | Wartość | Język |
dc.contributor.author | Gadomska, Katarzyna | - |
dc.date.accessioned | 2018-05-23T07:44:50Z | - |
dc.date.available | 2018-05-23T07:44:50Z | - |
dc.date.issued | 2012 | - |
dc.identifier.isbn | 9788322621073 | - |
dc.identifier.isbn | 9788380125551 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/3874 | - |
dc.description.abstract | The work constitutes an attempt to describe the poetics of the 20th and 21st century neo‑fantastic
prose of selected French‑speaking
countries (France, Belgium, Quebec). The analyses of
the material made use of such research methods as a semiotic description of the character (A. Greimas’
actantial model), Ph. Hamon’s semiological model and U. Eco and V. Jouve’s semiopragmatic
method.
The first chapter covers basic elements of the world presented in literary works: time, space, their
chronotop (M. Bachtin) and personage, responsible for creating a mimetic illusion crucial to the
formation of the fantastic effect. The next chapter was devoted to the manifestations of “a fantastic
phenomenon”, taking on the shapes of the following anxiogenic figures: a ghost, vampire, psychopath
(also in gore movie), double, woman, fear‑evoking
objects. The next chapter concentrated on
the presentation of special ethics and aesthetics of fantastic prose these days, describing above all
the evil, ugliness, the negative and repulsive (all possible perversions and sexual deviations, pure
evil, cruelty). The last chapter discusses the form of works within the scope of “new fantastic literature”:
selected elements of a paratext according to G. Genette (an incipit, excipit, preface), forms
and structures of narration, as well as traditional and new writing techniques typical of the genre
of fantastic literature exclusively.
A conclusion constitutes an attempt to answer the question on the scope within which contemporary
fantastic literature modifies definitions of traditional fantastic literature and to what an
extent it continues or diverges from canonic fantastic literature. The appendix includes versions
of “urban legends” in extenso, as well as notes bringing the profiles of the French‑speaking
writers
closer. | pl_PL |
dc.language.iso | fr | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Śląskiego | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | proza neofantastyczna XX i XXI wieku | pl_PL |
dc.subject | zło w literaturze | pl_PL |
dc.subject | literatura fantastyczna | pl_PL |
dc.title | La prose neofantastique d'expression francaise aux XXe et XXIe siecles | pl_PL |
dc.type | info:eu-repo/semantics/book | pl_PL |
Pojawia się w kolekcji: | Książki/rozdziały (W.Hum.)
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