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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/3874
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dc.contributor.authorGadomska, Katarzyna-
dc.date.accessioned2018-05-23T07:44:50Z-
dc.date.available2018-05-23T07:44:50Z-
dc.date.issued2012-
dc.identifier.isbn9788322621073-
dc.identifier.isbn9788380125551-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/3874-
dc.description.abstractThe work constitutes an attempt to describe the poetics of the 20th and 21st century neo‑fantastic prose of selected French‑speaking countries (France, Belgium, Quebec). The analyses of the material made use of such research methods as a semiotic description of the character (A. Greimas’ actantial model), Ph. Hamon’s semiological model and U. Eco and V. Jouve’s semiopragmatic method. The first chapter covers basic elements of the world presented in literary works: time, space, their chronotop (M. Bachtin) and personage, responsible for creating a mimetic illusion crucial to the formation of the fantastic effect. The next chapter was devoted to the manifestations of “a fantastic phenomenon”, taking on the shapes of the following anxiogenic figures: a ghost, vampire, psychopath (also in gore movie), double, woman, fear‑evoking objects. The next chapter concentrated on the presentation of special ethics and aesthetics of fantastic prose these days, describing above all the evil, ugliness, the negative and repulsive (all possible perversions and sexual deviations, pure evil, cruelty). The last chapter discusses the form of works within the scope of “new fantastic literature”: selected elements of a paratext according to G. Genette (an incipit, excipit, preface), forms and structures of narration, as well as traditional and new writing techniques typical of the genre of fantastic literature exclusively. A conclusion constitutes an attempt to answer the question on the scope within which contemporary fantastic literature modifies definitions of traditional fantastic literature and to what an extent it continues or diverges from canonic fantastic literature. The appendix includes versions of “urban legends” in extenso, as well as notes bringing the profiles of the French‑speaking writers closer.pl_PL
dc.language.isofrpl_PL
dc.publisherWydawnictwo Uniwersytetu Śląskiegopl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectproza neofantastyczna XX i XXI wiekupl_PL
dc.subjectzło w literaturzepl_PL
dc.subjectliteratura fantastycznapl_PL
dc.titleLa prose neofantastique d'expression francaise aux XXe et XXIe sieclespl_PL
dc.typeinfo:eu-repo/semantics/bookpl_PL
Appears in Collections:Książki/rozdziały (W.Hum.)

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Uznanie autorstwa - użycie niekomercyjne, bez utworów zależnych 3.0 Polska Creative Commons License Creative Commons