DC pole | Wartość | Język |
dc.contributor.author | Jaglarz, Kalina | - |
dc.date.accessioned | 2018-05-29T10:32:43Z | - |
dc.date.available | 2018-05-29T10:32:43Z | - |
dc.date.issued | 2012 | - |
dc.identifier.citation | Teksty z Ulicy. Zeszyt memetyczny, 2012, nr 14, s. 129-136 | pl_PL |
dc.identifier.issn | 2081-397X | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/4092 | - |
dc.description.abstract | The aim of the essay is to describe the phenomenon of the peasant hand motif in the art of
folk poets as well as those who originate from the country. The literary texts and anonymous songs
of the rural communities show the repeatability and the evolution of this motif. The author tries to
build a bridge between the Gargas cave handprints, the hand of a serf, the hand of a folk poet by
which he took his pen, finally of a conscious poet connected to the country culture, landscape and
memory by his origin. A specific path of thinking chosen by an author, in which the times of
serfdom and the peasant oppression take an important role, can be considered as an analogy for
the folk song evolution understood as a struggle for existence and survival of a content. It might be
also used as a metaphor showing how sequential generations of poets mythologize the condition of
the peasants. Finally, it is an opportunity to observe how such poets as Tadeusz Nowak or Stansiław
Czernik – both originate from country – read the anonymous pieces of art of serfdom communities
members. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | poeci ludowi | pl_PL |
dc.subject | motyw chłopskiej ręki | pl_PL |
dc.title | Ewolucja motywu „ręki”. Przyczynek do rozważań nad powtarzalnością i zmiennością w kulturze (na przykładzie Człowieka Ziemi: chłopa–poety) | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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