Abstract: | The present work is situated within the paradigm of Cognitive Linguistics,
whose major claim is that language constitutes an integral part of human cognition.
This trend was created at the end of the 1970s and is represented by the work of
Ronald Langacker, George Lakoff, Gilles Fauconnier, and Mark Turner. One of the
areas of interest within this trend is the phenomenon of metaphor, which is also the
subject of the present thesis.
The first, theoretical part, begins with an account of the basic assumptions of
the Conceptual Metaphor Theory, which played a significant role in the study of
metaphor. This theory was introduced by Lakoff and Johnson in the book Metaphors
We Live By. In it, the authors also put forward a claim about the central role of metaphor
in language and cognition. This theory has been both further developed by
such scholars as Zoltan Kövecses, Joseph Grady, Raymond Gibbs, or Mark Turner,
and also modified under the influence of the Blending Theory by Fauconnier and
Turner. The second chapter of the theoretical part is devoted to the main assumptions
of Cognitive Grammar formulated by Langacker. Within this complex theory
of language, metaphor is primarily viewed as a type of semantic extension entailing
a change of domain. The most significant role in such extensions is played by the abstract,
schematic structures emerging from them. A juxtaposition of these two theories
in the third chapter allows the author to observe the superiority of Langacker’s
theory. It permits an account of the phenomenon of metaphor in all complexity —
from metaphorical extensions of single linguistic units to highly schematic structures
called patterns of metaphorical extension.
The aim of the second part of the book is an application of Cognitive Grammar
tools to an analysis of metaphorical extensions of selected French lexemes. On this
basis, the author arrives at the schematic structures emerging from these extensions.
Taking into consideration one of the major claims of Cognitive Grammar — that all
generalizations arise as schematizations of more specific structures — the research
begins with an analysis of the conceptual content and organization of each of the
selected items. The object of the analysis is the item lumière (light) and other selected
lexemes referring to light. At the first stage, the object of the analysis is these lexemes’ conceptual content
and the particular way of construing that content in the domain of visual perception,
that is, the domain which constitutes the standard in the categorizing relationships
described in further parts of the publication. Due to an application of Cognitive
Grammar tools, it is possible to point to similarities and differences between the
analyzed items at the level of their profile, base, and the immediate and maximal
scope.
The consequent analysis of the extensions of the above-mentioned items to other
domains (auditory, intellectual, social, emotional, and moral) allows the author to
arrive at a whole system of structures which are schematic in relation to these extensions.
Among these, at the highest level of schematicity, the following patterns of
metaphorical extension are enumerated: [WHAT CONCERNS LIGHT] ---> [WHAT
CONCERNS AUDITORY SENSATIONS], [WHAT CONCERNS LIGHT] ---> [WHAT
CONCERNS EXPERIENCES RELATED TO KNOWLEDGE AND UNDERSTANDING]
and [WHAT CONCERNS LIGHT] ---> [WHAT CONCERNS EXPERIENCES IN
THE EMOTIONAL AND MORAL SPHERE]. Each of the above patterns is described
along with the matrix of domains which can be activated by particular extensions
as well as with the bodily and cultural knowledge constituting the background for
these extensions.
With the adoption of Langacker’s definition, according to which metaphorical
extensions involve a change of domain, it is possible to call these schemas metaphorical
patterns. However, the author notes important discrepancies concerning the relations
between the standard and target of the above patterns. These discrepancies,
which are sometimes classified in the literature as metonymical or metaphorical, are
approached in the book by means of cognitive distance. The analysis also enables
the author to make some observations concerning the axiological dimension which
can be evoked by some of the patterns’ instantiations. |