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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/4826
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dc.contributor.authorDziadek, Adam-
dc.date.accessioned2018-06-21T11:26:31Z-
dc.date.available2018-06-21T11:26:31Z-
dc.date.issued2015-
dc.identifier.citationŚląskie Studia Polonistyczne, Nr 1 (2015), s. 221-232pl_PL
dc.identifier.issn2084-0772-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/4826-
dc.description.abstractThe text is a synthetic description of Edward Pasewicz’s poetic work, which is included within the “plan for a somatic criticism.” The key operational concept used to describe this poetry is rhythm, which spreads out on all the levels of expression like a theme in a story and makes the texts of every poet unique and original. The rhythm is closely linked with the process of listening and with the body itself, which generates it. Following Charlers Berstein, the author performs an act of Close Listening, attempting to point out the relations between rhythm, the sphere of sound in Pasewicz’s poetic texts, and a speaking subject.pl_PL
dc.language.isoplpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectEdward Pasewiczpl_PL
dc.subjectClose Listeningpl_PL
dc.subjectrhythmpl_PL
dc.subjectsomatic experiencepl_PL
dc.titleSłuchanie jako doświadczenie somatyczne : o wierszach Edwarda Pasewiczapl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.relation.journalŚląskie Studia Polonistycznepl_PL
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