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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/5618
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dc.contributor.authorPawelec, Dariusz-
dc.date.accessioned2018-07-28T18:28:10Z-
dc.date.available2018-07-28T18:28:10Z-
dc.date.issued2013-
dc.identifier.citation"Miłosz in Pamiętnik Literacki [Literary Memoir] : selected Papers" (S. 35-57). Warszawa : IBLpl_PL
dc.identifier.urihttp://hdl.handle.net/20.500.12128/5618-
dc.description.abstractHymnic genre awareness in Czesław Miłosz`s poetry is included into metadiscursive statements. Poetic sel-commentary often leads to encapsulating the entire work in the hymnic genre. The hymn becomes an identification of the author`s poetics and develops into a literary type. The author of the sketch questions for the proper understanding of the hymn in reference to all found in Miłosz`s poetry direct indications of genre correlations as well as for the modes in which other ways the hymnic tradition are summoned. Is there a nonthematized hymn in this poetry and, if so, in what way can it exist? From his debut until "Last poems" (Wiersze ostatnie) Miłosz is observed to carry out a lon-lastin process of codification of the qualities of hymnic expression which is being accomplished in a constant dialogue with the forms already attested. Reffering to the analysis of metatextual statements found in Miłosz`s poetic texts, the article concludes that the use of the term in question goes beyond its narrow literary genetics meaning. The Polish poet seems to be drawing on the ancient synonymy of the term of "hymnos" and poetic creativity at large. The objective of the analysis is the mode such awareness is reflected in hymnographic production. The presence of hymnic code is seen as one of the elements which unites Miłosz`s literary output. Miłosz`s notion of hymn crosses the limits of his poetics. Hymnicity, then, stems from experiencing the sacred but is primarily viewed as an existential project. Miłosz`s "living in hymn" reminds of Hoilderlin`s hymnicity.pl_PL
dc.description.sponsorshipNPRHpl_PL
dc.language.isoenpl_PL
dc.publisherInstitute of Literary Research of Polish Academy of Sciencepl_PL
dc.relation0233/FNiTP/H32/80/2011pl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectCzesław Miłoszpl_PL
dc.subjectHymnic Codepl_PL
dc.subjectHymnpl_PL
dc.subjecthymnicitypl_PL
dc.subjectgenrepl_PL
dc.titleThe Hymnic Code in the Poetry of Czesław Miłoszpl_PL
dc.typeinfo:eu-repo/semantics/bookPartpl_PL
dc.description.referencesBalbus 2000: Balbus, Stanisław. Zagłada gatunków. In: Bolecki and Opacki, Genologia dzisiaj. Warsaw: IBL PAN.pl_PL
dc.description.referencesBłoński 1998: Błoński, Jan. Jan Błoński. 1998. Miłosz jak świat. Kraków: Znak.pl_PL
dc.description.referencesDanielewicz 1986: Danielewicz, Józef. Hymn w systemie gatunków liryki greckiej. Pamiętnik Literacki 1977 (1).pl_PL
dc.description.referencesGadamer 2001: Gadamer, Hans Georg. 2001. Poetica. Translated [into Polish from German] by Małgorzata Łukasiewicz. Warsaw: Instytut Badań Literackich PAN.pl_PL
dc.description.referencesHutnikiewicz 1973: Hutnikiewicz, Artur. Hymny Jana Kasprowicza. Warsaw: Państwowe Zakłady Wydawnictw Szkolnych.pl_PL
dc.description.referencesLipski 1975: Lipski, Jan Józef. Jan Józef Lipski. Twórczość Jana Kasprowicza w latach 1891-1906. Warsaw: Państwowy Instytut Wydawniczy.pl_PL
dc.description.referencesSarbiewski 1954: Sarbiewski, Maciej Kazimierz. O poezji doskonałej, czyli Wergiliusz i Homer. (De perfecta poesi, sive Vergilius et Homerus). Translated [into Polish from the Latin] by M. Pleź, edited by S. Skimin. Wrocław: Ossolineum,pl_PL
dc.description.referencesSemczuk 1992: Semczuk, Małgorzata. Hymn. In Alina Brodzka, Mirosława Puchalska and Małgorzata Semczuk, eds. Słownik literatury polskiej XX wieku. Wrocław: Ossolinem.pl_PL
dc.description.referencesSchnayder 1960: Schnayder, Jerzy. Hymn. Zagadnienia Rodzajów Literackich 1960 (1).pl_PL
Appears in Collections:Książki/rozdziały (W.Hum.)

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