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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/6299
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dc.contributor.authorNatkańska, Anna-
dc.date.accessioned2018-09-21T12:49:00Z-
dc.date.available2018-09-21T12:49:00Z-
dc.date.issued2017-
dc.identifier.citationRomanica Silesiana, Nr 12 (2017), s. 121-128pl_PL
dc.identifier.issn1898-2433-
dc.identifier.issn2353-9887-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/6299-
dc.description.abstractThe father figure in twentieth-century novels usually appears only as a part of the family. It is rare for a father to become the main protagonist of the book; he is frequently presented as an “addition” to the mother. Rightly or not, the father figure is, however, a symbol of authority and power in the family, hence writers have a tendency to present the parent-child relationships as difficult, bitter, and very, very complex. The situation is not much different in modern Italian literature, in which relationships with fathers during childhood are often a starting point for adult problems. In this article, I try to analyze this phenomenon on the basis of two novels written after 1950: Caro Michele by Natalia Ginzburg and Volevo i pantaloni by Lara Cardella.pl_PL
dc.language.isoitpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectauthoritypl_PL
dc.subjectfamilypl_PL
dc.subjectparent-child relationshipspl_PL
dc.subjectItalian literaturepl_PL
dc.titlePadri incapaci nella letteratura italiana femminile (Cardella, Ginzburg)pl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
Appears in Collections:Artykuły (W.Hum.)

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