DC pole | Wartość | Język |
dc.contributor.author | Krzykawski, Michał | - |
dc.date.accessioned | 2018-10-15T07:58:04Z | - |
dc.date.available | 2018-10-15T07:58:04Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | AVANT, Vol. VIII, No. 2 (2017), s. 39-50 | pl_PL |
dc.identifier.issn | 2082-6710 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/6676 | - |
dc.description.abstract | This article focuses on the autobiographical ghost that dwells in “Envois” and the multiple
ways he/she/it interferes in Derrida’s concept of écriture. Read through love letters sent
as postcards with the image representing Socrates writing in front of Plato, Derrida’s writing,
I argue, definitely becomes a cryptic writing (écriture cryptique) both in the sense of
kryptô (Gr. coded) and secerno (Lat. set apart). I endeavor to show that “Envois”—largely
autobiographical and entangled in his life events—is a harbinger of the secret that Derrida
takes for a fundamental feature of democracy in his later works. And yet the secret is of
his own, as he notes when writing “Envois”: “Nobody will never know what the secret
I write along with is. And that I say this will not change anything” (Peeters, 2010, p. 367). | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | autobiography | pl_PL |
dc.subject | love | pl_PL |
dc.subject | crypt | pl_PL |
dc.subject | secret | pl_PL |
dc.subject | writing | pl_PL |
dc.title | J’accepte: Jacques Derrida’s Cryptic Love by Unsealed Writing | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.relation.journal | AVANT | pl_PL |
dc.identifier.doi | 10.26913/80202017.0112.0003 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
|