Abstrakt: | The goal of the paper is to present the issues concerning data visualisation in communication
context. Infographics nowadays becomes – due to data journalism and popularity of visual
media – a commonly used tool; but still little recognition is given towards manipulatory
features of graphic design which is presented to its recipients as illustrating, translating and
explaining statistical and textual content in systemic, ordered and visual way that connotes
simplicity, universality and objectivity. The author tries to prove that idealistic information
design theories impact the communication process (on one hand giving the space for data
manipulation, on the other – creating an ideal image of a designer seen as a guard of objectivism
and an owner of an interpreter’s competences, thus they evoke recipients’ vulnerability
in decoding the language of data visualisation and deprive them of awareness, which they
should devote to persuasive messages). Whereas graphic message is not only of an educational
nature but also often of a political or – widely speaking – an ideological one. The goal of the
analysis of infographics published at the Visualizing Palestine website (chosen for its global
range and popularity, as well as for the political polarisation of its recipients and for innovative,
participative and grassroot character of the design process) is to indicate the technics of visualisation as interpretation and also data manipulation, as well as to prove the discoursive
potential of infographics as a communication tool. The paper aims at drawing attention to the
common lack of competences in the range of decoding meanings of datavis and the nonchalance
(whether conscious or not) of designers in their usage of data. |