Abstract: | The present article, inscribing itself into the field of
literary anthropology (as projected by Danuta Ulicka) and
attempting at a neo-avant-guard re-interpretation of Polish
post-war poetry (inspired chiefly by H. Foster's
propositions), is dedicated to the oeuvre of three notable
scholars of concrete poetry in Poland. Even though the
theoretical propositions put forth by Józef Bujnowski
(especially those presented in 1970s), Tadeusz Sławek
(1980s) and Piotr Rypson (1990s) would determine the
directions of the reception of concrete poetry over three
subsequent decades, their intermedial, visual and auditory
poetic experiments either remain unknown or have been
forgotten. Bringing them back to the forefront of the
academic attention and subjecting them to an analysis, the
author of this article argues that taking such text into
account in the diachronic study of the Polish literary
culture does not only enrich the existing narratives
oscillating around Polish concrete poetry and allow their
reinterpretation, but also makes visible a number of
research problems, of which the most important are related
to the role played by authors who simultaneously are
involved in literary scholarship and in writing, especially
in the context of the neo-avant-guard shift of the borders
between institutionalized scholarship and art. |