Skip navigation

Please use this identifier to cite or link to this item:
Full metadata record
DC FieldValueLanguage
dc.contributor.authorStarak, Grażyna-
dc.identifier.citationRomanica Silesiana, No. 4 (2009), s. 72-80pl_PL
dc.description.abstractThe output of dramatic works of Bernard-Marie Koltès in the 1970s and the 1980s shows remarkable richness of invention as far as the construction of the works is concerned. The fondness of research and experiment led the author of In the Solitude o f Cotton Fields from the monologue or quasi-monologue, through sophisticated forms which resembled the eighteenth century philosophical Dialogue à la Diderot, up to the much more complex structures, such as those of Roberto Zucco. The choice of form was determined in a way, as the author maintained, by the play itself (“Chacune de mes pièces m’impose ses propres contraintes” ). Interesting in that respect is the play Combat de nègre et de chiens, whose originality lies, paradoxically, in its evocation of a classical construction, with all the resulting consequences and limitations concerning the structure, time, place, the content of action, the number of characters etc. The tragedy with the classical construction became, however, a very modern play, and it was not only because of the date of its origin. It was so because of a few measures applied by Koltès. And it is the analysis of these measures, i.e. the “games” played by classical rules, which is going to be the subject matter of this article.pl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.titleComment creer une tragedie moderne de construction classique? Jeux avec les reglespl_PL
dc.relation.journalRomanica Silesianapl_PL
Appears in Collections:Artykuły (W.Hum.)

Files in This Item:
File Description SizeFormat 
Starak_Comment_creer_une_tragedie_moderne.pdf339,56 kBAdobe PDFView/Open
Show simple item record

Uznanie autorstwa - użycie niekomercyjne, bez utworów zależnych 3.0 Polska Creative Commons License Creative Commons