DC pole | Wartość | Język |
dc.contributor.author | Szymoniak, Ewelina | - |
dc.date.accessioned | 2018-02-25T20:42:44Z | - |
dc.date.available | 2018-02-25T20:42:44Z | - |
dc.date.issued | 2009 | - |
dc.identifier.citation | Romanica Silesiana, No. 4 (2009), s. 81-90 | pl_PL |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/741 | - |
dc.description.abstract | In Lo real (2001) by Belén Gopegui, a novel treating of relations between an
individual and the capitalist society, a special character is revived, namely the chorus.
While confronting the role it plays in the Spanish novel under analysis using the theories
of the functions of the chorus as a constitutent of ancient tragedy, we answer the question
whether the writer’s act of introducing this collective character to a comtemporary prose
work should be treated as a parody or as playing with a commonly known literary convention,
aimed to achieve specific objectives. The discussion touches on, for instance, the
concept of the chorus as an interlude, a rightful participant in the plot, ethical authority,
a literary “extension” of the author, an ideal reader etc. | pl_PL |
dc.language.iso | fr | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Contemporary Spanish prose | pl_PL |
dc.subject | Greek tragedy | pl_PL |
dc.subject | Chorus | pl_PL |
dc.subject | Belén Gopegui | pl_PL |
dc.title | "Lo real" y el coro : ?parodia o juego con una convencion? | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.relation.journal | Romanica Silesiana | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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