Abstrakt: | A detailed analysis of the sonnet Le tombeau de Charles Baudelaire reveals an
intertextual game with Baudelaire, his old-time master of poetry, that Mallarmé undertook
in order to highlight his own creative autonomy. At first, he exploits Baudelaire’s
favourite poetic strategies, such as the wealth of sensual effects, an inner movement of
images, hierarchic syntactic patterns, the principle of antithesis in the composition of the
text, and the message conveyed allegorically. At the same time, however, Mallarmé introduces
his own techniques into his master’s stylistic repertoire, e.g. a scarcity of sensual
effects, a contemplative construction of images, parallel and elliptical syntax, the principle
of complementary associations, and symbolism. His view of death is also different,
although both poets consider it a sacred ritual of passage. |