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http://hdl.handle.net/20.500.12128/7608
Tytuł: | Cisza, "diminuendo" i "fermata" w muzyce poezji : na przykładzie Gerarda Manleya Hopkinsa |
Autor: | Borkowska, Ewa |
Słowa kluczowe: | Gerard Manley Hopkins; diminuendo w poezji; fermata w poezji; cisza w poezji |
Data wydania: | 2016 |
Źródło: | "Er(r)go : teoria, literatura, kultura " Nr 2 (2016), s. 9-23 |
Abstrakt: | Silence does not always mean the absence of sounds; contrariwise, as in Heidegger,
it is charged with sonority which, as in Hopkins, “erupts” with the symphony of sounds. Hopkins’s
poem The Wreck of the Deutschland (1875) was written after seven years of silence that
preceded the poet’s entering the Society of Jesus. He destroyed all poems he had written before
1875 when he was requested by the rector of the college where he studied to write something
about the wreck of the ship off the shores of the North Sea when “five Franciscan nuns drowned
between midnight and morning of December 7th, 1875.” He responded to the challenge
and in thirty-five stanza masterpiece which presented one of the biggest poetic elegies of Victorian
England. All Hopkins’s poems are not only a polyphony of sounds articulated in Sprung
Rhythm but also the moments of silence, as in The Windhover in which the description of Nature
in the octet is divided from the sestet by the caesura of the rest or pause (fermata in music)
or the pianissimo followed by meditation on Christ’s passion. The “grammar of creation”
in poetry and music has its own rules; usually the invocation of the poem is a loud symphony
of sounds which progressively tends to fall silent in the final code of the poem or the musical
piece. Silence is usually associated with the contemplation of Sacrum but also with the time
of creation in the poet’s (composer’s) mind; each poem (or a musical work) is a kind of “spiritual
exercise” (Loyola) which is practiced until the final diminuendo that reduces force and
loudness of sound to the quietness of death. |
URI: | http://hdl.handle.net/20.500.12128/7608 |
ISSN: | 1508-6305 |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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