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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/855
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dc.contributor.authorŚlusarz, Aldona-
dc.date.accessioned2018-03-03T19:32:58Z-
dc.date.available2018-03-03T19:32:58Z-
dc.date.issued2010-
dc.identifier.citationJ. Uchyła-Zroski (red.), "Zarys współczesnych kierunków badań nad wartościami w muzyce" (s. 125-140)pl_PL
dc.identifier.isbn9788322619391-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/855-
dc.description.abstractThe aim of the article is to present selected performing techniques in the flute literature of the 20th century. Due to their multiplicity, only some techniques currently considered to be the most popular are described. The starting point for a discussion constitutes three compositions: Chant de Linos for flute and piano by André Jolivet, L’Aube Enchantée for flute and guitar by Ravi Shankar and The Great Train Race for solo flute by Ian Clarke. Perhaps, these are not the standard and groundbreaking works but they are certainly an outstanding example of their usage.pl_PL
dc.language.isoplpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectMuzyka fletowapl_PL
dc.subjectTechniki wykonawczepl_PL
dc.titleWybrane techniki wykonawcze w muzyce fletowej XX wiekupl_PL
dc.typeinfo:eu-repo/semantics/bookPartpl_PL
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Uznanie autorstwa - użycie niekomercyjne, bez utworów zależnych 3.0 Polska Creative Commons License Creative Commons