Kwestie „najwyższej wagi” w twórczości Magdaleny Tulli

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DC pole	Wartość	Język
dc.contributor.author	Dzika-Jurek, Kamila	-
dc.date.accessioned	2019-12-10T13:40:05Z	-
dc.date.available	2019-12-10T13:40:05Z	-
dc.date.issued	2019	-
dc.identifier.citation	Śląskie Studia Polonistyczne, 2019, nr 1, s. 241-259	pl_PL
dc.identifier.issn	2353-0928	-
dc.identifier.uri	http://hdl.handle.net/20.500.12128/11816	-
dc.description.abstract	The author examines metaphors related to weight in the oeuvre of Magdalena Tulli, indicating the notion that elucidates and orders what has hitherto defied interpretation in her novels. It is pointed out by the essay’s author, and corroborated by numerous quotations from Tulli, that the Warsaw-based writer often described as a post-modernist weaving multi-thread narrative, in fact creates literature devoted to a single topic – the Shoah. An interesting way of indicating this fact is a painting by Hans Memling, Last Judgement, mysteriously appearing in Magdalena Tulli’s novel entitled Włoskie szpilki [Italian High-Heels].	pl_PL
dc.language.iso	pl	pl_PL
dc.rights	Uznanie autorstwa-Na tych samych warunkach 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-sa/3.0/pl/	*
dc.subject	Magdalena Tulli	pl_PL
dc.subject	Shoah	pl_PL
dc.subject	Last Judgement (Hans Memling)	pl_PL
dc.subject	Melancholy	pl_PL
dc.title	Kwestie „najwyższej wagi” w twórczości Magdaleny Tulli	pl_PL
dc.type	info:eu-repo/semantics/article	pl_PL
dc.identifier.doi	10.31261/SSP.2019.13.19	-
Pojawia się w kolekcji:	Artykuły (W.Hum.)