DC pole | Wartość | Język |
dc.contributor.author | Pawlicki, Marek | - |
dc.date.accessioned | 2020-01-23T08:42:06Z | - |
dc.date.available | 2020-01-23T08:42:06Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2019, t. 14, z. 4, s. 247-257 | pl_PL |
dc.identifier.issn | 1897-3035 | - |
dc.identifier.issn | 2084-3933 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/12168 | - |
dc.description.abstract | The main aim of this article is to analyse the impact of the Second World War on the eponymous
protagonist of William Golding’s third novel, Pincher Martin. Concentrating on Christopher
“Pincher” Martin’s disconnected and often chaotic recollections, as well as his attempts to
organise them into a coherent narrative, this article argues that his experience of war can be
considered in terms of trauma. The article begins with a short overview of critical perspectives
on Pincher Martin, and then goes on to analyse in detail chosen passages from this novel, which
are discussed in the context of trauma theory, as formulated by Robert Jay Lifton, Cathy Caruth
and Susan Brison. While the main focus of the article is memory and its role in the shaping of
the protagonist’s identity, the discussion also accounts for the complex symbolism of Golding’s
novel. | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/3.0/pl/ | * |
dc.subject | William Golding | pl_PL |
dc.subject | Pincher Martin | pl_PL |
dc.subject | World War II | pl_PL |
dc.subject | Trauma | pl_PL |
dc.title | Shadows of War and the Nightmare of Memory: Analysing Trauma in William Golding’s Pincher Martin | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.4467/20843933ST.19.043.11156 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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