DC pole | Wartość | Język |
dc.contributor.author | Zawojski, Piotr | - |
dc.date.accessioned | 2020-02-01T11:54:20Z | - |
dc.date.available | 2020-02-01T11:54:20Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | „Przegląd Kulturoznawczy” Nr 1 (2019), s. 1-14 | pl_PL |
dc.identifier.issn | 1895-975X | - |
dc.identifier.issn | 2084-3860 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/12355 | - |
dc.description.abstract | The postmedia era forces us to rethink the status of a new generation of images and new
postdigital imaging. Referring, inter alia, to the proposals of Ingrid Hoelzl and Rémi Marie, the article
sketches a proposal for a theoretical approach to postimages as hybrid visual representations that
arise as a result of the application of algorithmic procedures during their production. Postimages
can be treated as a manifestation of a new paradigm of image culture in postantropocentric times, in
which nonrepresentationalist approaches to digital image theory point to its ontogenetic methods of
producing by “digital machines of vision.” Postimages become important reference points for the
formation of a posthumanist order in which the symbiosis of man and machine becomes the foundation
for the creation of a new pictorial paradigm based on algorithmic procedures that follows
the photographic paradigm. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/3.0/pl/ | * |
dc.subject | image | pl_PL |
dc.subject | softimage | pl_PL |
dc.subject | postimage | pl_PL |
dc.subject | hybrids | pl_PL |
dc.subject | new media | pl_PL |
dc.title | Od obrazów (audiowizualnych) do postobrazów (hybrydycznych). Perspektywa teoretyczna | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.4467/20843860PK.19.001.10896 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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