DC pole | Wartość | Język |
dc.contributor.author | Mydla, Jacek | - |
dc.date.accessioned | 2020-03-05T08:36:29Z | - |
dc.date.available | 2020-03-05T08:36:29Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | "Image & Narrative" Vol. 18, no. 3 (2017), s. 80-93 | pl_PL |
dc.identifier.issn | 1780-678X | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/12957 | - |
dc.description.abstract | This article examines the Gothic project of Horace Walpole’s The Castle of Otranto and two texts which
engage the novella, Robert Jephson’s 1781 tragedy The Count of Narbonne and M. R. James’s 1923 ghost
story “The Haunted Dolls’ House”, as works which in different ways handle the mimetic potential inherent in
this project. A distinction between intrinsic and extrinsic types of mimesis is proposed and then used to address
the realistic claims that these works make. The argument is put forward that the two post-Otranto texts are
attempts to add a dimension of realism – that is to say, relevance – to Walpole’s medieval fantasy. | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Gothic fiction | pl_PL |
dc.subject | Gothic drama | pl_PL |
dc.title | The Ghotic as a mimetic challenge in two post-"Otranto" narratives | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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