Kondycja spektaklu : produkt, próżnia, przyspieszenie

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DC pole	Wartość	Język
dc.contributor.author	Mazurek, Marcin	-
dc.date.accessioned	2020-03-30T06:09:42Z	-
dc.date.available	2020-03-30T06:09:42Z	-
dc.date.issued	2002	-
dc.identifier.citation	Er(r)go, Nr 5, z. 2 (2002) s. 33-41	pl_PL
dc.identifier.issn	1508-6305	-
dc.identifier.issn	2544-3186	-
dc.identifier.uri	http://hdl.handle.net/20.500.12128/13326	-
dc.description.abstract	The article aims at a critical explication of two attempts to frame the distorted sense of the real, firstly. through the notion of the spectacle (Guy Debord) and then the simulacrum (Jean Baudrillard). Both concepts, though they originated in political and media-related discourses, stress the autonomy of representation and its close relationship with conditions of contemporary social existence as well as with the process of identity formation, the latter to a large extent informed by the total substitution of the material by the mediated.	pl_PL
dc.language.iso	pl	pl_PL
dc.rights	Uznanie autorstwa-Na tych samych warunkach 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-sa/3.0/pl/	*
dc.subject	spectacle	pl_PL
dc.subject	simulacrum	pl_PL
dc.subject	identity formation	pl_PL
dc.subject	political and media-related discourses	pl_PL
dc.title	Kondycja spektaklu : produkt, próżnia, przyspieszenie	pl_PL
dc.type	info:eu-repo/semantics/article	pl_PL
Pojawia się w kolekcji:	Artykuły (W.Hum.)