DC pole | Wartość | Język |
dc.contributor.author | Zdrada-Cok, Magdalena | - |
dc.date.accessioned | 2018-03-19T11:32:28Z | - |
dc.date.available | 2018-03-19T11:32:28Z | - |
dc.date.issued | 2011 | - |
dc.identifier.citation | Romanica Silesiana, No. 6 (2011), s. 160-180 | pl_PL |
dc.identifier.issn | 1898-2433 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/1333 | - |
dc.description.abstract | The article aims to analyze L’Écrivain public and L’Enfant de sable by Tahar Ben Jelloun,
focusing on the issue of hybrydity which is discussed from the postcolonial and postmodern
perspective (Bhabha, De Toro). The analysis concentrates on the oriental tale which deconstructs
the paradigm of the novel and the autobiography. However, the article also depicts that Tahar
Ben Jelloun derives his ideas from the oral tradition so as to, similarly as Jorge Luis Borges,
give his works an intertextual and intercultural dimension. Through the nomadic structure of the
tale, which is present both in the novel and in the autobiography, the writer rejects the idea of a
conservative and monolithic Moroccan society and opposes stereotypes. | pl_PL |
dc.language.iso | fr | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Hybridity | pl_PL |
dc.subject | tale | pl_PL |
dc.subject | postmodern autobiography | pl_PL |
dc.subject | Moroccan novel in French | pl_PL |
dc.title | L'hybridite dans "L'Ecrivain public" et "L'Enfant de sable" de Tahar Ben Jelloun | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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