Abstrakt: | The study concerns the analysis of the works of Giovanni Testori contained in the
volume La Gilda del Mac Mahon (1959). From the chronological, epistemological and aesthetic
point of view, Testori’s debut works are characteristic for two different literary tendencies of
writing: neorealist and expressionistic. The neorealist traditions coming into play in Testori’s
works include themes (difficult situation of the people living in Milan’s suburbs), and forms of
expression (low point of view, spoken style-popular). Testori in a very personal and original way
weaves together the narrative neorealist elements with those of the new aesthetics, the expressionistic
vanguard which is present to the maximum extent in his theatrical works. The expressionism
of Testori is represented by the subjective and partial representation of the story and
most of all by the typology of the protagonist (a young protagonist who is naked, that is presented
in his most intimate actions: oppression and solitude, alienation, anti-bourgeois revolt, desperate
search of the better life). The expressionistic power of the stories is amplified by their episodic
structure, responsible for the effect of fragmentariness and discontinuity of the representation of
the world that is restless and frenetic. |