DC pole | Wartość | Język |
dc.contributor.author | Sławek, Tadeusz | - |
dc.date.accessioned | 2020-04-02T13:09:34Z | - |
dc.date.available | 2020-04-02T13:09:34Z | - |
dc.date.issued | 2016 | - |
dc.identifier.citation | "Anglica. An International Journal of English Studies" Nr 25/3 (2016), s. 11-36 | pl_PL |
dc.identifier.issn | 0860-5734 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/13426 | - |
dc.description.abstract | The article takes up the theme of Agamben’s violence without a form of justice and reads
Shakespeare’s tragedy as spanned between Cordelia’s “nothing” at the start of the play
and Lear’s “never” at its end. It also approaches a question of the relationship between,
in Rousseau’s word, “l’homme naturel” and “citoyen.” Lear’s push towards a position of
being “unaccommodated” suggests a move away from the organization of life previously
holding its rule over men towards a marginal, peripheral zone with uncertain rules where
man has to risk his own decisions rather than merely follow the custom. | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | William Shakespeare | pl_PL |
dc.subject | King Lear | pl_PL |
dc.title | A crack in the shell : reading a few lines from "King Lear" | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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