"Syngue sabour" et "Maudit soit Dostoievski" d'Atiq Rahimi : le feminin et le masculin dans le monde integriste

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DC pole	Wartość	Język
dc.contributor.author	Zdrada-Cok, Magdalena	-
dc.date.accessioned	2018-03-20T08:24:35Z	-
dc.date.available	2018-03-20T08:24:35Z	-
dc.date.issued	2013	-
dc.identifier.citation	Romanica Silesiana, No. 8, t. 1 (2013), s. 245-254	pl_PL
dc.identifier.issn	1898-2433	-
dc.identifier.uri	http://hdl.handle.net/20.500.12128/1357	-
dc.description.abstract	Syngué sabour and Maudit soit Dostoïevski by Atiq Rahimi : the Feminine and the Masculine in the Fundamentalist World The article aims at the analysis of Syngué sabour and Maudit soit Dostoïevski by Atiq Rahimi. The study is concentrated on the ideological construction of femininity and masculinity in the world dominated by fundamentalism and war (Afghanistan civil war in the 90s). The article researches some intertextual relations (between Rahimi and Dostoïevski) and the narrative strategies which represent the relationship between the individual and the political power.	pl_PL
dc.language.iso	fr	pl_PL
dc.rights	Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/pl/	*
dc.subject	civil war in Afghanistan	pl_PL
dc.subject	fundamentalism	pl_PL
dc.subject	femininity and masculinity	pl_PL
dc.subject	narrative strategies	pl_PL
dc.subject	intertextual relations	pl_PL
dc.title	"Syngue sabour" et "Maudit soit Dostoievski" d'Atiq Rahimi : le feminin et le masculin dans le monde integriste	pl_PL
dc.type	info:eu-repo/semantics/article	pl_PL
Pojawia się w kolekcji:	Artykuły (W.Hum.)

Uznanie autorstwa - użycie niekomercyjne, bez utworów zależnych 3.0 Polska Creative Commons