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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/13790
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dc.contributor.authorWandzioch, Magdalena-
dc.date.accessioned2020-05-04T09:07:46Z-
dc.date.available2020-05-04T09:07:46Z-
dc.date.issued2017-
dc.identifier.citationRomanica Cracoviensia, 2017, nr 3, s. 193-200pl_PL
dc.identifier.issn1732-8705-
dc.identifier.issn2084-3917-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/13790-
dc.description.abstractFairy tales, issued from folklore, belong to a common heritage and that is why they undergo a constant transformation. In 2012, Amélie Nothomb draws the inspiration for her 21st novel Barbe bleue from this inexhaustible source. The paper discusses modifications introduced by the famous Belgian writer to Charles Perrault’s version of the fairy tale of Bluebeard observed in the chronotope and in the way characters are created, particularly in the aesthetic and spiritual proximity between the protagonist from Nothomb’s novel and its prototype.pl_PL
dc.language.isofrpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectFairy Talepl_PL
dc.subjectModern Novelpl_PL
dc.subjectRewritingpl_PL
dc.title"La Barbe bleue" de Charles Perrault et "Barbe bleue" d'Amélie Nothomb : dialogue d'un conte d'autrefois et d'un roman d'aujour d'huipl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.relation.journalRomanica Cracoviensiapl_PL
dc.identifier.doi10.4467/20843917RC.17.018.7700-
Appears in Collections:Artykuły (W.Hum.)

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