DC pole | Wartość | Język |
dc.contributor.author | Nikodem, Michał | - |
dc.date.accessioned | 2020-06-15T10:07:53Z | - |
dc.date.available | 2020-06-15T10:07:53Z | - |
dc.date.issued | 2015 | - |
dc.identifier.citation | Nowa Krytyka, T. 34 (2015) s. 227-246 | pl_PL |
dc.identifier.issn | 0867-647X | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/14498 | - |
dc.description.abstract | In my article I present a short, historical overview of the literary works of Bruno Jasieński, put in a chronological order and seen from the Marxist perspective. I refer to the statements on Jasieński’s oeuvre made by Polish Marxist critics both before and after WWII and present their judgments about his books. I adopt a three-part division of Jasieński life and works proposed by Krzysztof Jaworski. Firstly, I focus on what can be called as
a futuristic and salon socialism period. In this part I analyze Jaśnieński’s poetical debut – But w butonierce, a volume widely seen as being strongly influenced by the Russian Ego-Futurism. I also present a brief overview of the role played by Jasieński in the unification of Polish futurist movement. Finally, I refer to Pieśń o głodzie, a narrative poem in which Jasieński combined futuristic and socialist inspirations, effectively inventing a new kind
of Polish poetry. In the next section of the article, I focus on what may be called a revolutionary formation period, in which Janieński organized Polish Workers Theater. I conclude this part with an analysis of I Burn Paris, a novel depicting burning down of the capital of European bourgeoisie. The last section covers the soviet period of Jasieński’s life, starting with his experiments with merging fantastic narratives with a new-born socrealistic aesthetics in Bal manekinów. In this part I focus on the arguably most important work of the soviet period – Ziemia zmienia skórę, a novel about building socialism in Tajikistan, which became an obligatory read in Tajik public schools. In conclusion, I offer a short reassessment of the opposing views on Jasiński’s work proposed by Polish critics. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | Bruno Jasieński | pl_PL |
dc.subject | Marxism | pl_PL |
dc.subject | works | pl_PL |
dc.subject | poetry | pl_PL |
dc.subject | prose | pl_PL |
dc.subject | I burn Paris | pl_PL |
dc.subject | futurism | pl_PL |
dc.subject | USRR | pl_PL |
dc.title | Jasieński na lewo : myśl marksistowska w twórczości Brunona Jasieńskiego | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.18276/nk.2015.34-12 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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