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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/15001
Title: Nachleben a topika Zagłady
Authors: Tomczok, Marta
Keywords: Literary and cultural criticism; topos; remembrance; Aby Warburg’s Nachleben; the Holocaust topos; contemporary Polish literature; popular fi ction; pop culture
Issue Date: 2019
Citation: Ruch Literacki, 2019, z. 4, s. 389-401
Abstract: This article is built on the premise that the topos has become a potent unit of cultural memory, an image that stores a wealth of often vague, buried or forgotten ideas. Its contents, like those of literature, tend to become extraordinarily condensed and confl ated; in consequence, some topoi (in particular the Holocaust topos) defy conventional tools of understanding and analysis. A solution to this problem can be found in an approach which broadens the scope of the sources of the Holocaust to include pop culture; gives up the rigid classifi cation of topoi, based on ‘hard’, documentary evidence; and, draws on a conceptual frame that connects the topos with the mechanisms of remembrance. A practical application of this approach is offered here in a series of readings of selected passages from Marcin Pilis’s novel The Meadow of the Dead (Łąka umarłych), Zygmunt Miłoszewski’s crime story A Grain of Truth (Ziarno prawdy), Marcin Wolski’s alternate history novel Wallenrod, Justyna Wydra’s war romance The SS-man and a Jewess (Esesman i Żydówka), Krzysztof Zajas’s thriller Oszpicyn [local Yiddish: Auschwitz] as well as some poems by Jacek Podsiadło from his volume The Breguet Overcoil (Włos Bregueta).
URI: http://hdl.handle.net/20.500.12128/15001
DOI: 10.24425/rl.2019.130053
ISSN: 0035-9602
Appears in Collections:Artykuły (W.Hum.)

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