DC pole | Wartość | Język |
dc.contributor.author | Mięsowska, Lidia | - |
dc.date.accessioned | 2020-08-10T07:10:48Z | - |
dc.date.available | 2020-08-10T07:10:48Z | - |
dc.date.issued | 2012 | - |
dc.identifier.citation | Przegląd Rusycystyczny, 2012, z. 1/2, s. 191-212 | pl_PL |
dc.identifier.issn | 0137-298X | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/15508 | - |
dc.description.abstract | The main aim of this article is to present the reception of the latest Russian drama not
only among the popular readers, but also among professionals. Conducted researchers prove
clearly that the interest towards Russian drama has been growing recently, despite the fact
that Polish readers become familiar with it through the theatre.
The exemplification of presented tendencies is the oeuvre of Vladimir Sorokin ―
postmodernist and scandal, finally appreciated and awarded in Russia, popular in Poland for
many years. He has also gained a recognition in the word of theatre, where his controversial,
but reflective dramas are being referred more and more often. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | Russian drama | pl_PL |
dc.subject | Vladimir Sorokin | pl_PL |
dc.title | Włodzimierz Sorokin w Polsce : o polskim (nie) czytaniu rosyjskiego dramatu najnowszego | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.relation.journal | Przegląd Rusycystyczny | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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