DC pole | Wartość | Język |
dc.contributor.author | Caputa, Sonia | - |
dc.date.accessioned | 2020-09-04T12:21:23Z | - |
dc.date.available | 2020-09-04T12:21:23Z | - |
dc.date.issued | 2020 | - |
dc.identifier.citation | "Review of International American Studies", (2020), vol. 13, no 1, s. 145-157 | pl_PL |
dc.identifier.issn | 1991—2773 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/15837 | - |
dc.description.abstract | "As argued by the literary critic Margaret Russett, Percival
Everett “unhinges ‘black’ subject matter from a lingering
stereotype of ‘black’ style [and] challenges the assumption that
a single or consensual African-American experience exists to be
represented” (Russett 360). The author presents such a radical
individualism in his most admired literary work published
in 2001. In Erasure, Thelonious ‘Monk’ Ellison, the main character
and narrator of the book, pens a stereotypically oriented African
American novel that becomes an expression of “him being sick
of it”; “an awful little book, demeaning and soul destroying
drivel” (Everett 132, 137) that caters to the tastes and expectations
of the American readership but, at the same time,
oscillates around pre-conceived beliefs, prejudices and racial
clichés supposedly emphasizing the ‘authentic’ black experience
in the United States." [...] (fragm.) | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | Percival Everett | pl_PL |
dc.subject | Erasure | pl_PL |
dc.subject | american literature | pl_PL |
dc.title | Resistance and protest in Percival Everett's "Erasure" | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.31261/rias.7567 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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