DC pole | Wartość | Język |
dc.contributor.author | Gracla, Jadwiga | - |
dc.date.accessioned | 2018-03-26T08:56:01Z | - |
dc.date.available | 2018-03-26T08:56:01Z | - |
dc.date.issued | 2008 | - |
dc.identifier.citation | Rusycystyczne Studia Literaturoznawcze, T. 20 (2008), s. 23-31 | pl_PL |
dc.identifier.issn | 0208-5038 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/1593 | - |
dc.description.abstract | N. Jewreinow s play To, co najważniejsze [That, which is most important] was subtitled as
a comedy for someone, a drama for the other one. According to the author of the article, it meets
demands of these two genres. It is a comedy in a constructionist dimension and drama in an ideal
dimension connected with Jewreinow s theory. Thus, it is the theatre that can create a fable man
needs. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | game | pl_PL |
dc.subject | comedy | pl_PL |
dc.subject | role | pl_PL |
dc.subject | dream | pl_PL |
dc.subject | therapy | pl_PL |
dc.title | Dramat czy wskazówka jak żyć? : kilka słów o dramacie Nikołaja Jewreinowa "To, co najważniejsze" | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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