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Zastosuj identyfikator do podlinkowania lub zacytowania tej pozycji: http://hdl.handle.net/20.500.12128/16934
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dc.contributor.authorJanowski, Maciej-
dc.contributor.authorChełkowska-Zacharewicz, Maria-
dc.date.accessioned2020-11-09T08:07:51Z-
dc.date.available2020-11-09T08:07:51Z-
dc.date.issued2019-
dc.identifier.citation"Roczniki Psychologiczne" Vol. 22, no 4 (2019), s. 373-403pl_PL
dc.identifier.issn1507-7888-
dc.identifier.issn2451-4306-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/16934-
dc.description.abstractThe paper presents the results of a systematic review of 61 empirical studies in which emotions in response to music were measured. The analysis of each study was focused on the measurement of emotion components and the conceptualization of emotion both in hypothesis and discussion. The review does not support the claim that music evokes the same emotional reactions as life events do, especially modal emotions. Notably, neither a high intensity of feelings, nor intentionality were confirmed in relation to musical experiences, the emergence of specific action tendencies, or specific physiological changes. Based on the obtained results, it is recommended to use the terms “affect” or “music emotions” with reference to emotions experienced in reaction to music and to abandon the term “emotions” as misleading.pl_PL
dc.language.isoenpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectemotionspl_PL
dc.subjectaffectpl_PL
dc.subjectmusic emotionspl_PL
dc.subjectemotional reactions to musicpl_PL
dc.titleWhat do we actually measure as music-induced emotions?pl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.identifier.doi10.18290/rpsych.2019.22.4-5-
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