Abstrakt: | Lech Piwowar was connected, inter alia, with the Cracow Writers’
Association (1929–1930), with the literary and artistic societies “Litart” (1931–1935)
and “Volta” (1935–1937), since 1933 he closely cooperated with the Visual
Artists’ Theatre “Cricot” and published in the magazines “Naprzód”, “Gazeta Artystów”
and “Tygodnik Artystów”. According to Heronim Michalski, Piwowar was
a “keen student” of Tadeusz Peiper, according to Julian Przyboś – he was
a “faithful and fanatical” student. The author of this article devoted to Piwowar
focuses on his poems employing explosive imagery, motifs of fire and blood,
primarily within the current of social, “committed poetics” (e.g. Spring, Build!,
or A Beauty’s Funeral recalling the revolutionary Cracow of 23 March 1936),
poems with a rhetorical exclamation – a call. They lead to questions about the
avant-garde imagination annexing (making more substantive) the proletarian
gesture of dissent, an expression of revolt. |