DC pole | Wartość | Język |
dc.contributor.author | Zając, Marta | - |
dc.date.accessioned | 2020-12-28T12:19:52Z | - |
dc.date.available | 2020-12-28T12:19:52Z | - |
dc.date.issued | 2020 | - |
dc.identifier.citation | "Iudaica Russica" nr 2 (2020), s. 112-125 | pl_PL |
dc.identifier.issn | 2657-4861 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/18024 | - |
dc.description.abstract | The article is an attempt to grasp a feature of the literary and cultural phenomenon of Zuzanna
Ginczanka, a Ukrainian-born Polish poetess of the Jewish origin. It refers to 1) biographical elements, 2) their
mediation in chosen critical works, as well as 3) the samples of Ginczanka’s literary output. The key concept for
my investigations is openness (understood mainly as indeterminacy of meaning), which I associate with the
intellectual climate of postmodernism, to trace, however, the modalities and variations of openness in
Ginczanka’s life, criticism and poetry. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | Ginczanka | pl_PL |
dc.subject | openness | pl_PL |
dc.subject | postmodernism | pl_PL |
dc.subject | Jewishness | pl_PL |
dc.title | Zuzanna Ginczanka : krytyka, poezja, życie. O tym, jak otwierają się znaki | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.31261/ir.2020.05.07 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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