DC pole | Wartość | Język |
dc.contributor.author | Abrasowicz, Gabriela | - |
dc.date.accessioned | 2021-01-07T13:48:57Z | - |
dc.date.available | 2021-01-07T13:48:57Z | - |
dc.date.issued | 2020 | - |
dc.identifier.citation | "Przekłady Literatur Słowiańskich" T. 10, cz. 2 (2020), s. 175-202 | pl_PL |
dc.identifier.issn | 2353-9763 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/18185 | - |
dc.description.abstract | Since the turn of the millennium, Serbian drama has been increasingly
valued and recognized in the post-Yugoslav region and in Europe. In recent years, the process
of globalization has become progressively stronger, with an improved infrastructure
for promotion that has made possible the crossing of material and symbolic boundaries.
This in turn has led to transformations in artistic expression, as well as increasing opportunities
for mobility, co-productions, and translations. The status of the drama has been
somewhat problematic because of its situation between literature and theatre. Its heterogeneous
nature has required the development of an appropriate method of presentation.
The performative/stage reading has emerged as a compelling answer. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | Serbian drama and theatre | pl_PL |
dc.subject | translation of the dramatic text | pl_PL |
dc.subject | performative/ stage readings | pl_PL |
dc.subject | promotion system | pl_PL |
dc.subject | Serbian drama in Poland | pl_PL |
dc.title | Granice nowego dramatu serbskiego - płynne i stale wytyczane na nowo: perspektywa lokalna i recepcja w Polsce | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.31261/PLS.2020.10.02.08 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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