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Zastosuj identyfikator do podlinkowania lub zacytowania tej pozycji: http://hdl.handle.net/20.500.12128/18204
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dc.contributor.authorSęk-Iwanek, Matylda-
dc.date.accessioned2021-01-08T10:37:56Z-
dc.date.available2021-01-08T10:37:56Z-
dc.date.issued2017-
dc.identifier.citation"Studia Politicae Universitatis Silesiensis", T. 19, 2017, s. 265- 283pl_PL
dc.identifier.issn1895-3492-
dc.identifier.issn2353-9747-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/18204-
dc.description.abstractThis article is devoted to discussing the meaning and function of the depiction of war in graphic novels and its place in the creation of collective memory and historical truth. This proposed perspective is complementary to the study of armed conflict as conducted by political, security and legal sciences. The paper’s main theme is the history of the siege of Sarajevo and the war in Bosnia and Herzegovina, as portrayed in Joe Kubert’s graphic novel Fax from Sarajevo. The study has been conducted in light of the war image theory, proposed by Susan Sontag in Regarding the Pain of Others. In some instances an additional graphic novel was invoked - Joe Sacco’s Safe Area Goražde: The War in Eastern Bosnia 1992-1995 - to indicate significant correlations in narrative structure. Lastly, the article underlines the place and role of the reporter in visual discourse related to armed conflict.pl_PL
dc.language.isoplpl_PL
dc.rightsUznanie autorstwa-Na tych samych warunkach 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-sa/3.0/pl/*
dc.subjectgraphic novelpl_PL
dc.subjectcomics and photographypl_PL
dc.subjectJoe Kubertpl_PL
dc.subjectJoe Saccopl_PL
dc.subjectcomic book journalismpl_PL
dc.subjectcomic bookspl_PL
dc.subjectcomic book reportagepl_PL
dc.subjectarmed conflictpl_PL
dc.titleObrazy wojny w powieści graficznejpl_PL
dc.title.alternativeWar pictures in graphic novelpl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
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Uznanie autorstwa na tych samych warunkach 3.0 Polska Creative Commons Creative Commons