Skip navigation

Please use this identifier to cite or link to this item:
Full metadata record
DC FieldValueLanguage
dc.contributor.authorDutka, Elżbieta-
dc.identifier.citation"Białostockie Studia Literaturoznawcze" T. 11 (2017), s. 257-274pl_PL
dc.description.abstractThe article offers a reading of Jacek Hugo-Bader’s controversial reportage Długi film o miłości. Powrót na Broad Peak (2014), which is frequently viewed as a story about the tragedy in Karakorum. The author of the article emphasizes that this piece may be also read in a more universal way as a reflection about non-fulfilment. She analyses the literary representations of multidimensional spatial experiences in the highest mountains such as sensual responses to extreme altitude and temperature, the life-and-death threshold experience as well as the spiritual relationship with the mountains. She also remarks other literary aspects of Hugo-Bader’s work, for instance the extreme “embodiment” reportage of Gonzo style.pl_PL
dc.rightsUznanie autorstwa-Na tych samych warunkach 3.0 Polska*
dc.subjectextreme experiencepl_PL
dc.subjectJacek Hugo- Baderpl_PL
dc.titleEkstremalne doświadczenia w ekstremalnej "wcieleniówce" : "Długi film o miłości. Powrót na Broad Peak" Jacka Hugo-Badera jako opowieść o niespełnieniupl_PL
dc.title.alternativeExtreme Experiences in the Extreme “Embodiment” Reportage. Długi film o miłości. Powrót na Broad Peak by Jacek Hugo-Bader as a Reflection about Non-Fulfilmentpl_PL
Appears in Collections:Artykuły (W.Hum.)

Files in This Item:
File Description SizeFormat 
Dutka_Ekstremalne_doswiadczenia_w_ekstremalnej_wcieleniowce.pdf359,52 kBAdobe PDFView/Open
Show simple item record

Uznanie autorstwa na tych samych warunkach 3.0 Polska Creative Commons License Creative Commons