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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/18371
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dc.contributor.authorDutka, Elżbieta-
dc.date.accessioned2021-01-15T09:16:13Z-
dc.date.available2021-01-15T09:16:13Z-
dc.date.issued2017-
dc.identifier.citation"Białostockie Studia Literaturoznawcze" T. 11 (2017), s. 257-274pl_PL
dc.identifier.issn2082-9701-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/18371-
dc.description.abstractThe article offers a reading of Jacek Hugo-Bader’s controversial reportage Długi film o miłości. Powrót na Broad Peak (2014), which is frequently viewed as a story about the tragedy in Karakorum. The author of the article emphasizes that this piece may be also read in a more universal way as a reflection about non-fulfilment. She analyses the literary representations of multidimensional spatial experiences in the highest mountains such as sensual responses to extreme altitude and temperature, the life-and-death threshold experience as well as the spiritual relationship with the mountains. She also remarks other literary aspects of Hugo-Bader’s work, for instance the extreme “embodiment” reportage of Gonzo style.pl_PL
dc.language.isoplpl_PL
dc.rightsUznanie autorstwa-Na tych samych warunkach 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-sa/3.0/pl/*
dc.subjectreportagepl_PL
dc.subjectspacepl_PL
dc.subjectmountainspl_PL
dc.subjectextreme experiencepl_PL
dc.subjectJacek Hugo- Baderpl_PL
dc.titleEkstremalne doświadczenia w ekstremalnej "wcieleniówce" : "Długi film o miłości. Powrót na Broad Peak" Jacka Hugo-Badera jako opowieść o niespełnieniupl_PL
dc.title.alternativeExtreme Experiences in the Extreme “Embodiment” Reportage. Długi film o miłości. Powrót na Broad Peak by Jacek Hugo-Bader as a Reflection about Non-Fulfilmentpl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.identifier.doi10.15290/bsl.2017.11.18-
Appears in Collections:Artykuły (W.Hum.)

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