DC pole | Wartość | Język |
dc.contributor.author | Pyka, Katarzyna | - |
dc.date.accessioned | 2021-07-05T10:47:52Z | - |
dc.date.available | 2021-07-05T10:47:52Z | - |
dc.date.issued | 2021 | - |
dc.identifier.citation | "Narracje o Zagładzie" Nr specjalny (2021), s. 291-309 | pl_PL |
dc.identifier.issn | 2450-4424 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/20549 | - |
dc.description.abstract | Katarzyna Pyka discusses lead as a substance which for centuries has made possible
stained glass glazing both in sacral and secular buildings. This article focuses on the uses of lead
and compares the work of stained glass artists in the past and today. Contrary the associations
of this craft with vivid multicolored compositions, Pyka has decided to keep her discussion in
grayscale; her purpose has been to emphasize the importance of this silvery metal, which has
enriched the history of art from the Middle Ages by making possible the beauty of stained
glass compositions. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | lead | pl_PL |
dc.subject | stained glass | pl_PL |
dc.subject | arts | pl_PL |
dc.subject | crafts | pl_PL |
dc.subject | glass | pl_PL |
dc.title | W skali szarości - krótka historia srebrzystego ołowiu łączącego kolorowe szkła witrażowe | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.31261/NoZ.2021.DHC.13 | - |
Pojawia się w kolekcji: | Artykuły (WSiNoE)
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