DC Field | Value | Language |
dc.contributor.author | Juchniewicz, Andrzej | - |
dc.date.accessioned | 2021-08-26T12:14:20Z | - |
dc.date.available | 2021-08-26T12:14:20Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | "Narracje o Zagładzie" Nr 5 (2019), s. 149-175 | pl_PL |
dc.identifier.issn | 2451-2133 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/21205 | - |
dc.description.abstract | Investigating Erna Rosenstein’s poems containing partial accounts of her parents’ murder after their escape from the Lviv ghetto, this article proposes a reading founded on two categories – forensics and shock – and therefore departs from the principles put forward by historical narratives (including the meticulous reconstruction of facts and pedantic devotedness to their organisation typical of this genre, constructing such a story whose integrity would satisfy the reader whereas moral framework would set formal limits). Forensics – a strategy that emphasises the role of material traces – is related to the clarity of a process and the rise of a community. Intuitively, Rosenstein applies a quasi-crime story narrative to her poetry, which allows it to cross
the distance usually separating the victims of the Shoah from a reader belonging to an entirely different reality. The presence of a mystery makes it possible for the murdered to become close to us once again thanks to the medium of a wounded body. Shock, in turn, is a category inherent in any attempt of reaching the unthinkable (that is, the events that have not been lived through or experienced directly). Moreover, it employs affective stimulation which engages a reader in an ethical way. This article consists of three parts, whose division reflects the necessities of scrutinising Rosenstein’s relation to surrealism, exploring her strategy of influencing a reader by means of affect and mood, and probing her status of a precursor, visible in the autonomy granted to the
nonhuman actants or her strives for domesticating entropy. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Na tych samych warunkach 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/3.0/pl/ | * |
dc.subject | Holocaust | pl_PL |
dc.subject | Erna Rosenstein | pl_PL |
dc.subject | forensic turn | pl_PL |
dc.subject | affect | pl_PL |
dc.subject | murder | pl_PL |
dc.title | „Ziemia otworzy usta” : O wyobraźni forensycznej Erny Rosenstein | pl_PL |
dc.title.alternative | “The Earth will open its mouth” On Erna Rosenstein’s Forensic Imagination | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.31261/NoZ.2019.05.08 | - |
Appears in Collections: | Artykuły (W.Hum.)
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