DC pole | Wartość | Język |
dc.contributor.author | Krzykawski, Michał | - |
dc.date.accessioned | 2022-02-02T10:04:55Z | - |
dc.date.available | 2022-02-02T10:04:55Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | "Cahiers ERTA", Vol. 11, 2017, s. 81-103 | pl_PL |
dc.identifier.issn | 2300-4681 | - |
dc.identifier.issn | 2353-8953 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/22490 | - |
dc.description.abstract | The aim of this article is to discuss the autobiographical inscription that
dwells in Jacques Derrida’s writing. Derrida’s « overmemory », that blocks
autobiography as a récit, seems to be the trigger for the singular and
somehow emotional style of his writing through which he saves himself
inside his own philosophy based, among others, on the principle of
dissemination. Circumfession, that I read through what I call « penile
thread » [f i l p é n i e n], shows different strategies to preserve some
traces of Derrida’s p r o p e r name. | pl_PL |
dc.language.iso | fr | pl_PL |
dc.rights | Uznanie autorstwa 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/pl/ | * |
dc.subject | auto/biography | pl_PL |
dc.subject | memory | pl_PL |
dc.subject | Jewishness | pl_PL |
dc.subject | masculinity | pl_PL |
dc.title | Derrida à l’oeuvre : autour de Circonfession et au-delà | pl_PL |
dc.title.alternative | Derrida at Work : on Circumfession and Beyond | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.identifier.doi | 10.4467/23538953CE.17.005.6899 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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