Śląskie Studia Polonistyczne, 2013, nr 1, s. 217-218
The text constitutes an attempt to capture a performatory nature of Krzysztof Siwczyk’s
poetic language through the prism of dominating motives in his works: innertion, stillness,
paralysis and boredom. The background of recognition constitutes interpretative
conclusions coming from already-made critical literary reflections concerned with works
written by the author of Gody.