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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12128/5010
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dc.contributor.authorCharko-Klekot, Paulina-
dc.date.accessioned2018-06-27T11:28:07Z-
dc.date.available2018-06-27T11:28:07Z-
dc.date.issued2015-
dc.identifier.citation"Rusycystyczne Studia Literaturoznawcze" T. 25 (2015), s. 86-95pl_PL
dc.identifier.issn0208-5038-
dc.identifier.urihttp://hdl.handle.net/20.500.12128/5010-
dc.description.abstractThe article attempts to characterize connections between literature and music in the dramatic works of Ivan Vyrypaev. On the basis of the writer’s plays (Oxygen, Illusions, Genesis No. 2, Delhi Dance), it indicates manifestations of musicality occurring on three levels: phonic, thematic, and compositional. Vyrypaev’s works — emotional, rich in language and innovative composition — are characterized by remarkable euphony, achieved mainly by syntactic and lexical parallelisms, and in the case of Oxygen also by the external dramatic structure.pl_PL
dc.language.isoplpl_PL
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectIvan Vyrypaevpl_PL
dc.subjectIwan Wyrypajewpl_PL
dc.subjectdramaturgypl_PL
dc.subjectmusicalitypl_PL
dc.subjectmusic in literaturepl_PL
dc.titleIwan Wyrypajew i melodia tekstu dramatycznegopl_PL
dc.typeinfo:eu-repo/semantics/articlepl_PL
dc.relation.journalRusycystyczne Studia Literaturoznawczepl_PL
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