DC pole | Wartość | Język |
dc.contributor.author | Matuszek, Dawid | - |
dc.date.accessioned | 2018-10-10T10:30:52Z | - |
dc.date.available | 2018-10-10T10:30:52Z | - |
dc.date.issued | 2016 | - |
dc.identifier.citation | "Śląskie Studia Polonistyczne" Nr 1-2 (2016), s. 185-200 | pl_PL |
dc.identifier.issn | 0208-6336 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/6605 | - |
dc.description.abstract | In his article the author sketches a portrait of Geralt of Rivia, a title character
of Andrzej Sapkowski’s Witcher series aw well as a video game The Witcher 3: Wild
Hunt, while at the same time tracing the work of deconstruction inscribed in the figure
of the hero. Most significantly, it is Geralt’s gender identity that becomes subject to
deconstruction; a model of heroic, fatherly, withdrawn masculinity becomes subverted
and unseamed – on the one hand by female corporality; on the other, by female
politics – which results in questioning and rejecting the so far dominant model in favour
of subjectivity suspended between femininity and masculinity (and their other variants). | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | the Witcher | pl_PL |
dc.subject | masculinity | pl_PL |
dc.subject | gender | pl_PL |
dc.subject | psychoanalysis | pl_PL |
dc.subject | Sapkowski | pl_PL |
dc.subject | Lacan | pl_PL |
dc.title | Koniec męskości, albo Wiedźmina opisanie | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.relation.journal | Śląskie Studia Polonistyczne | pl_PL |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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