DC pole | Wartość | Język |
dc.contributor.author | Mydla, Jacek | - |
dc.date.accessioned | 2018-11-08T09:54:16Z | - |
dc.date.available | 2018-11-08T09:54:16Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Multicultural Shakespeare, Vol. 17, iss. 1 (2018), s. 35-50 | pl_PL |
dc.identifier.issn | 2300-7605 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/7019 | - |
dc.description.abstract | On the basis of Roman Ingarden’s conceptions of indeterminacy and
concretization and the notion of spoken action, Jacek Mydla constructs the idea of
textual authority in Shakespeare’s drama. The text is regarded as the primary source
of meaning which determines theatrical representation. When reading a play actively, the
reader fills out areas of indeterminacy in an attempt to build a faithful imaginary
representation of the action. The thus reconstructed social mimesis can then be
transferred onto the stage. Mydla argues for the precedence of textual over theatrical
concretizations of Shakespeare. | pl_PL |
dc.language.iso | en | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | indeterminacy | pl_PL |
dc.subject | concretization (textual and theatrical) | pl_PL |
dc.subject | spoken action | pl_PL |
dc.subject | social mimesis | pl_PL |
dc.title | Performing Shakespeare’s Words: Textual Authority in Light of the Theory of Indeterminacy | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.relation.journal | Multicultural Shakespeare | pl_PL |
dc.identifier.doi | 10.18778/2083-8530.17.04 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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