DC pole | Wartość | Język |
dc.contributor.author | Marcela, Mikołaj | - |
dc.date.accessioned | 2018-11-21T12:25:48Z | - |
dc.date.available | 2018-11-21T12:25:48Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | Śląskie Studia Polonistyczne, Nr 1 (2018), s. 203-210 | pl_PL |
dc.identifier.issn | 2084-0772 | - |
dc.identifier.issn | 2353-0928 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.12128/7170 | - |
dc.description.abstract | According to many researchers and theoreticians mentioned by Davis
J. Gunkel we live today in digital culture of “mash-up”, which is at the same time
configurable convergence culture. Therefore in the contemporary world the concept
of remix enjoys such great popularity. It is in sampling and remixing that “the cultural
logic of networked global capitalism” should be sought. However, the mentioned terms
occur mainly in the disputes over copyright laws and freedom of the access to culture.
For Gunkel this aspect is not a key one. In Of Remixologyhe suggests a departure from
the current way of thinking about remix in terms of an original and a copy, innovation
and derivation, authorship and plagiarism. Instead, Gunkel proposes the third way of
thinking, where his companions become such theoreticians as Jacques Derrida, Roland
Barthes, Jean Baudrillard and Slavoj Žižek. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | remiks | pl_PL |
dc.subject | sampling | pl_PL |
dc.subject | mash-up | pl_PL |
dc.subject | dekonstrukcja | pl_PL |
dc.subject | prawa autorskie | pl_PL |
dc.title | Nowy, zremiksowany świat [dot. D.J. Gunkel: „Of Remixology. Ethics and Aesthetics After Remix”] | pl_PL |
dc.type | info:eu-repo/semantics/article | pl_PL |
dc.relation.journal | Śląskie Studia Polonistyczne | pl_PL |
dc.identifier.doi | 10.31261/SSP.2018.11.15 | - |
Pojawia się w kolekcji: | Artykuły (W.Hum.)
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