Abstrakt: | The article analyses the representations of Fez and Tanger in the fiction by Tahar Ben
Jelloun. It proves that the contrast between these two cities, presented in his many works, illustrates
antagonisms in the Moroccan society after 1956. The autobiographical thread of the way
from Fez (the city of Norm) to Tanger (the city of Transgression), which emerges in such works as
Harrouda (1973), L’Écrivain public (1983), Jour de silence à Tanger (1990), La Nuit de l’Erreur
(1997), Sur ma Mère (2008), includes the issue of the writer’s political engagement and his objection
to anachronistic social and moral norms. Tahar Ben Jelloun’s fiction, which is concentrated
on the antinomy Fez — Tanger, becomes the area of difficult experience of freedom based on the
symbolic breaking off with the father who symbolises restrictive tradition. |