Abstrakt: | The traditional fantastic literature of the nineteenth century is a genre par excellence
codificated. The present study indicates how the new fantastic literature of the twentie
th and the twenty-first century plays with these codes and with the customs of the traditional
reader. This work discusses the literary games, very diversified, on the level of the conten
t (the modifications of the traditional fantastic motives, for example the m otif of a ghost or
of a vampire) and on the level of the form (the new techniques of writing versus the traditional
techniques of the literature referring to the supernatural). The present study analyses the
short stories by writers writing in French, for example Rémi Karnauch, Jean-Pierre Andrevon,
Stéphanie Benson, Pierre Pelot, Yves and Ada Rémy, and Jean-Pierre Bours. |